....a roundup of Chopiniana: current news, views, reviews, recordings and performances in the runup to the 200th birthday of the matchless Polish keyboard composer.

Showing posts with label Chopin Competition. Show all posts
Showing posts with label Chopin Competition. Show all posts

Friday, April 25, 2008

The Chopin Currency - April 25, 2008

Chopin News, Reviews & Previews:

Award-winning pianist to perform here
Vancouver Sun - British Columbia, Canada

Both a review (of a new DG CD) and a preview of the pending May 2 appearance in Vancouver by Polish pianist Rafal Blechacz...


This is a real coup. Blechacz, who is only 23, jumped into the spotlight overnight when he won all five top prizes in 2005's Frederic Chopin Competition in Warsaw. For the first time in history, the jury decided not to award a second prize. The Vancouver stop is the only Canadian one in his first American tour of only five concerts. [....]

This first recording is a very exciting one, consisting largely of the works he'll be performing in Vancouver, the revolutionary 24 Preludes of opus 28. This is amazing playing, remarkable for its clarity, directness and honesty. He makes what can be treacherous sound natural and simple. His playing evokes that supreme Brazilian pianist, Guiomar Novaes, who was very hard to equal in playing Chopin. This is a very special recording.

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Bit of a draught at bathtime
Brisbane Times - Brisbane,Queensland,Australia

An Aussie visitor to the Czech Republic discovers a delightful tradition in the Spa towns where Chopin once took the cure...

A beer bath may be an innovation here in west Bohemia but it's certainly not the first time the region has been visited for its spas. The neighbouring towns of Karlovy Vary and Marianske Lazne, once frequented by Chopin, Nietzsche and Freud, are famous in western Europe for their magnesium-rich waters. Thousands of tourists visit for thermal treatments at exclusive health spas. Chopin probably never bathed in beer, however.
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Proust Questionnaire: Eleanor McEvoy
Athlone Advertiser - Westmeath,Ireland

Irish singer-songwriter dishes on F.C...

Q: What is your idea of perfect happiness?

A: Listening to Chopin while sipping champagne in a hot bath filled with bubbles and the one I love.

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Composing while Computing

Princeton University The Daily Princetonian - NJ, United States

More on the "geometrical music theory" from Princeton scholar Dmitri Tymoczko....

In his analyses of different pieces of music, Tymoczko was particularly struck by the pictorial representations of two musically unusual pieces by Chopin — the E-minor prelude and Chopin's final composition, a mazurka in F minor.

"These are two pieces that people have really struggled to understand musically," Tymoczko said. "It turns out that they explore a very coherent space, a sort of necklace made with four-dimensional hypercube beads that are linked together by a shared vertex."

What's most alarming about this discovery is that Chopin composed during the first half of the 19th century, a time when mathematicians understood very little about conceptualizing four-dimensional space. Still, Tymoczko said, the incredibly close correlation between Chopin's music and four-dimensional geometry could not possibly be a coincidence. In other words, Chopin had some intuitive understanding of a branch of mathematics that would not be formally expressed or understood until decades after his death.

“It was an incredible point in history," Tymoczko said of the early 19th century. "Humanity's knowledge of the four-dimensional structure could only be expressed in the form of beautiful Romantic music."

It's a discovery that gives new meaning to the belief of mathematician and philosopher Gottfried Leibniz that "music is the pleasure the human soul experiences from counting without being aware that it is counting."

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Friday, April 18, 2008

The Chopin Currency - April 18th, 2008


Chopin News, Reviews, and Previews:



When Fame Can’t Cross the Atlantic
New York Times - United States

Fascinating story (and review) of Russian pianist Grigory Sokolov, lionized in Europe; barely known in America....

Classical music is supposedly universal. Language may still be a cultural barrier for writers and actors. Even visual artists, depending on the subjects they choose, won’t necessarily translate abroad.

That Mr. Sokolov, whose talent is beyond dispute, disproves this notion should remind us not only of our persistent parochialism but also of our delusions about technology. The Web, on which he can be found on YouTube, giving astonishing performances, clearly doesn’t substitute for hearing him live. Neither do discs, which, as a perfectionist, he stopped issuing in 1995 (this partly explains his American situation), although years ago Mr. Sokolov’s recordings sent me hunting for a chance to hear him in person. On one of those discs he played Chopin’s 24 Preludes with great sensitivity. He played them again the other night. It was, like all concerts likely to stay in the mind forever, nothing that could ever be captured digitally.

He gives about 60 solo recitals a year, so his manager told me; no chamber or orchestral music at the moment. He was born in Leningrad and won the Tchaikovsky Competition in 1966, at 16. Emil Gilels headed the jury. For a while Sol Hurok promoted him.


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Zimerman’s ovation in Rome
Thenews.pl - Warsaw,Poland

Returning to Rome, Krystian Zimerman surprises with a switch to Chopin...

The second part was taken up by an all-Chopin programme, instead of earlier-announced Brahms and Szymanowski.

The recital was Zimerman’s first appearance in Rome after a lapse of ten years. Some Poles in the audience remembered Zimerman’s concert and meeting with Pope John Paul II in the Vatican on Christmas Eve in 1980.

Fifty two year-old Krystian Zimerman is the winner of the Chopin International Piano Competition in Warsaw in 1975. (mk)

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Yundi Li: Prokofiev/Ravel
Times Online - UK

Review (mostly positive) of Yundi Li's attempt to break out of his Chopin sterotype, along with the inevitable Lang Lang comparisions....


There comes a time in any young piano virtuoso’s life when the need mounts for breaking out of the core 19th-century repertoire into the wide, wild world beyond. You can’t always be wrapped around Chopin and Liszt. Alongside oriental trinkets, that smiling Chinese onslaught Lang Lang has become an improbable concert interpreter of the thickets of notes in Tippett’s Piano Concerto. For his second concerto CD, Yundi Li, Lang Lang’s compatriot (born the same year, too, 1982), has been more cautious. He has chosen Prokofiev No 2, in a Berlin live performance from May. [...]

The more Lang Lang’s performances drift into candelabra rhetoric – the Liberace style of playing – the greater the attraction of Yundi Li’s sobriety. Maybe this Prokofiev could be more tigerish, yet Yundi’s dizz dexterity and ability to shade colours within the composer’s dark and narrow band gave sufficient pleasure to me. To the Berlin audience also: the performance concludes with their roars of applause.

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Sunday, April 6, 2008

The Chopin Currency - April 6, 2008

Chopin News, Reviews, and Previews:

Chopin: Piano Sonata No 3; Mazurkas Op 59; Barcarolle Op 60 ...
Telegraph.co.uk - United Kingdom

UK paper gives Gilmore Award winner Ingrid Fliter a vigorous thumbs-up on her new All-Chopin CD:


Ingrid Fliter clearly loves Chopin's music. The warmth of her playing and the lyrical impulse of her interpretations are combined with discretion in matters of dynamics, pianistic decoration and tonal colour to make these pieces flow from her fingers with the spontaneity of someone deeply immersed in the music's idiom.

Fliter's name might not yet be universally familiar here, but it will be. Born in Argentina, she came to prominence two years ago when she received the highly prized Gilmore Award in the United States, previously bestowed on such international artists as Piotr Anderszewski and Leif Ove Andsnes. Now that she is also a BBC New Generation Artist, opportunities to hear her will become more frequent.

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Mindru Katz plays CHOPIN, Vol. I
Audiophile Audition - USA

Review of a revissue by the Israeli pianist that Audiophile Audition calls "A highly personal approach to the composer - less of Horowitz than of [Myeczyeslaw] Horszowski or [Benno] Moiseiwitsch, a combination of implosive technique and fervent devotion." As well as some fevered dreams....


Katz verbally recounts his experience with dreams, especially in relationship to the music of Chopin, “the genius of Chopin and not just the notes of Chopin.” The etude in double-thirds proved troubling to Katz: a dream involving Artur Rubinstein transpired, in which Rubinstein placed Katz’s hand on the keyboard to finger the etude. Somehow, in having practiced and performed the Tchaikovsky Concerto, Katz found the proper fingering for rendering the technique of the Chopin etude. In another dream, one involving a near-death experience, Katz discovered the proper touch and realization for the Funeral March Sonata.....Well-spoken, articulate, and poetically apt, Katz as raconteur and insightful artist makes a formidable combination well worth our undivided attentions.
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Chopin Foundation returns to Barboursville
Orange County Review - Orange,VA,USA

Young Chopin Competition winner to appear at an Orange County vinyard...


The Chopin Foundation of the United States and Premier Virginia Properties are proud to present Jacek Kortus of Poland, the youngest finalist of the 2005 International Chopin Piano Competition, on his world piano tour.

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About Chopin2010

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....is a roundup of all things Chopin leading up to the 200th anniversary of the matchless Polish composer for the piano in March 2010.