The Chopin Currency - June 11th, 2008

Chopin News, Views, and Reviews:

A Comedic Ballet With Legs
Wall Street Journal - USA

WSJ critic marvels at the staying power of Jerome Robbins' Chopinistic comedic creation....

"Death," one showbiz quip has it, "is easy; comedy is hard." However savvy Jerome Robbins might have been in the mid-1950s as a still-budding master of both musical-theater dances and of classical ballet, he could hardly have predicted the staying power of "The Concert," the comedic ballet he created to Chopin in 1956 and called "A Charade in One Act" and subtitled "The Perils of Everybody."

Once his hilarious take on would-be concertgoers hit its stride with a 1971 restaging for his home-base company, the New York City Ballet, "The Concert" showed itself to be a deathless ballet comedy. In recent years, over a dozen ballet companies nationally and internationally, including one in Perm, Russia, have eagerly performed the work....

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Robbins & Chopin at NYC Ballet
By oberon481

Dance-focused blogger's taken on the Chopin/Robbins night at the NYC Ballet:

I'm not sure an all-Chopin evening is a great idea; surely the most effective programmes are those that offer musical contrasts. But THE CONCERT was fun tonight with Sterling Hyltin showing a nice flair for comedy (and dancing very well) and several amusing character players including Andrew Veyette's henpecked, vengeful husband and Gwyneth Muller's priceless wife with her droll efforts to maintain a sense of decorum.

Oberon's Grove - http://oberon481.typepad.com/oberons_grove/

Chopin in the Newsgroups:

Kobrins 2005 Chopin Preludes

From the rec.music.classical newsgroup, a discussion on the merits of Alexander Kobrin's Chopin interpretations...

Sure emphasizes the dark side, but very effective,original conceptions
seemingly not just for effect. He seems to empathize better with this more complex,subtle music than with the more
extroverted, emotional Rachmaninoff Etudes,IMHO. But this is
2005......

newsgroups.derkeiler.com: rec.music.c... - http://newsgroups.derkeiler.com/Archive/Rec/rec.music.classical.recordings

The Chopin Currency - June 8th, 2008

Chopin News, Views, and Reviews:

'The Spies of Warsaw' by Alan Furst
Los Angeles Times - CA,USA

"Furst's books are like Chopin's nocturnes: timeless, transcendent, universal. One does not so much read them as fall under their spell and to fall in love with those Romantic impulses that compel men and women to act beyond their self-interests."

And, like Chopin, Furst is a Romantic. Regardless of their gender or nationalities, his characters share one immutable trait: a heroic belief in the transformative power of love, whether for a nation, an ideal or another human being.

"The Spies of Warsaw" is Furst's 10th novel. Like the others, it involves the work of European spies in the 1930s and '40s. Few writers tread such a narrow path so often. Fewer still do it without repeating themselves. Furst's genius is to revisit the same era and character types while making each journey new and fascinating.

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Author Q&A
Wall Street Journal - USA

No reference to Chopin, but a fascinating Q & A with author Alan Furst...

In Alan Furst's newly published espionage novel, "The Spies of Warsaw," he paints a convincing portrait of Europe in 1937, told in part through the eyes of a French military attaché. That Mr. Furst's book is atmospheric, convincing and filled with twists and turns will hardly surprise readers of his nine earlier spy books such as "Night Soldiers" and "Kingdom of Shadows."

Mr. Furst, 67 years old, turned to espionage after writing four earlier novels that didn't sell. A Manhattan native, Mr. Furst lives in Sag Harbor, N.Y., and periodically in Paris. He estimates he has lived in France for roughly 10 years of his life.

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A Night for Robbins to Give Chopin a Twirl or Three
New York Times - United States

This seems to be shaping up as the Year of Jerome Robbins...

Jerome Robbins would remain one of the most diverse, successful and appealing choreographers of all time if he had never set anything to the music of Chopin. Yet to imagine ballet without Robbins’s Chopin works is to imagine a painful diminution. Though the current Robbins retrospective from New York City Ballet has been successfully under way for over a month, its “Definitive Chopin” program, which opened on Wednesday night at the State Theater, brings us closer to the choreographer’s heart than any other evening this season.

The program contains just three ballets. (Robbins’s “In the Night,” to Chopin nocturnes, was part of a separate bill that went out of repertory Thursday night.) It begins with a film clip of Robbins in 1990 rehearsing Darci Kistler in his first Chopin work, “The Concert” (1956). She’s really good, but he’s much better, wonderfully funny in the way the music makes him go weak at the knees: not an immediate collapse, but a rich, rippling-through-the-body plunge...

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The Chopin Currency - June 6th, 2008

Chopin in the blogosphere:

Robbins’s Definitive Chopin at the NYC Ballet
By nahnopenotquite

The Jerome Robbins Celebration for the 2008 spring season at the New York City Ballet is on now. I saw a program last night called Definitive Chopin that consisted of three pieces set to the music of, uh, Frederic Chopin (who else?).

It is hard to me to overstate how much I loved this performance. Dance is the highest expression of human physicality, the absolute apotheosis of human grace and beauty. You can see why men were always falling in love with prima ballerinas in 19th century novels. Ballet is pure elevation of the female form, so feminine, so seductive, so… The dance exults in the human body, and the dancers perform with such strength and skill that I left the theater amazed and elated. I kid you not. It was genuinely sublime.

Nah, Nope, Not Quite - http://nahnopenotquite.wordpress.com

Chopin Videos:

Prelude in C Minor, Frédéric Chopin
By Hari Ram Narayanan(Hari Ram Narayanan)

From a blog called "Chronicle of a Student Pianist..."

Frédéric Chopin referred to as "the poet of the piano", is a polish composer. He composed almost exclusively for the piano. This piece is from his set of 24 preludes, each of which is composed in a different key. ...

The Chronicles of a Student Pianist - http://thechroniclesofastudentpianist.blogspot.com/