....a roundup of Chopiniana: current news, views, reviews, recordings and performances in the runup to the 200th birthday of the matchless Polish keyboard composer.

Thursday, June 12, 2008

The Chopin Currency - June 12th, 2008


Chopin News, Views, and Reviews:

Maurizio Pollini: when inspiration flows through to the third encore
Telegraph.co.uk - United Kingdom

London critic finds the essence of the Italian artist's mastery in a brief Chopin etude:


When everything clicks in a Maurizio Pollini recital, as it did here, it can be an absorbing, revelatory experience. This was a vintage example of his fascinating pianism, combining as it does a focused intellect with poetic sensibility, and a passion tempered by reason.

You do not expect, nor do you get, anything gratuitously extrovert with Pollini, and there was no more acute example of his essential poise and stylistic awareness than in his second encore, Chopin's famous Revolutionary Study.

Where some might launch headlong into it with barnstorming bravura, Pollini was more circumspect, not to the detriment of the music's drama but with a care for colour that went way beyond mere technical virtuosity. [...]

Thoroughly in his element, Pollini played Chopin's Four Mazurkas Op 33 with a breathtaking mix of wistful melancholy and rhythmic impetus. In the B minor Scherzo, as in the G minor Ballade given as the third encore, his inspiration flowed seamlessly.


Pollini's rare artistry is restricted
This is London - London,England,UK

Same recital, entirely different view from the Evening Standard critic....

Undoubtedly one of the pianistic giants of his generation, Maurizio Pollini offers an increasingly frustrating experience in recital. Now in his mid-60s, he can still pack them in to the Festival Hall and bring them to their feet after three rousing encores. But a disengaged quality in his playing mars too much of what he does.

[...]

It has to be said, though, that Pollini’s technical mastery is no longer unassailable. That insecurity may well account for the scrambled, vertiginous nature of virtuoso passages, such as those of Chopin’s Scherzo No 1 in B minor. There was some impressive playing here, too: Pollini’s tone is always ingratiating and there were many wonderfully nuanced moments.

But once again expansive gestures were shunned, with the result that too much was flattened out and under-characterised


See all stories on this topic

Chopin in the Blogosphere:

Chopin is the Only Ring Tone for You
By Evan

I have a custom ring tone setup on my cell phone when my bride Amanda calls. Yesterday at work I thought I heard her calling … but it was just the internet radio?! How could she call me through the internet radio?
My guess is that my cell phone’s built in melody #7 is actually a version of Chopin’s Étude No. 5 in G-Flat Major “Black Keys.”

Wild.er - http://blog.evanwilder.com

Chopin in the YouTubeoSphere:

YouTube - Yundi Li - Chopin "Fantasie" Impromptu, Op. 66

Professionally shot and released DG video of the Fantasie-Impromptu in C-sharp minor, Op. 66 No. 1...

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....is a roundup of all things Chopin leading up to the 200th anniversary of the matchless Polish composer for the piano in March 2010.