The Chopin Currency: April 22, 2008

Chopin News, Reviews, and Previews:

Pianist Born to the Colors of Chopin
New York Times - United States

Veteran New York Times critic Bernard Holland isn't thrilled about Ingrid Fliter's Beethoven and Schubert, but is charmed by her Chopin:

The Ingrid Fliter who appeared after intermission was a different person. She was born to play Chopin, and she knows it. The colors are many and subtle, the range of loud to soft is unusually various, and she has the sensibility for Chopin’s graceful, linear give-and-take. The pieces were the Nocturne in B and the B minor Piano Sonata. The Met Museum’s audience liked both very much.

See all stories on this topic

Cliburn Gold Medal winner's performance "impeccable"
Montgomery Advertiser - Montgomery,AL,USA

Meanwhile, a Montgomery (Alabama) critic finds the Beethoven and Chopin performances by Van Cliburn Competition winner Alex Kobrin to be indistinguishable, which is a good thing...

Six Chopin pieces followed – the heroic G minor “Ballade” to start this section, the dramatic F minor “Ballade” to end it, and in between four “Impromptus,” the last of which was the familiar “Fantasie-Impromptu” best known for its lyrical second theme.

For a gold medal winner, there is no need to comment on technique. It was impeccable as expected. But what distinguished this pianist was his thoughtful approach to every phrase. In the most cerebral, expressive phrases he slowed the tempo but never lost the intensity of those phrases and found significance in each note. He saved speed for the most impassioned sections.

His program showed a special affinity for the Romantics, drawing flowing melodies and dramatic climaxes from both Beethoven and Chopin. Both composers had much the same style in Kobrin’s playing.

See all stories on this topic

Phuong Nam to release 13 albums by pianist Dang Thai Son
VietNamNet Bridge - Hanoi,Vietnam

Vietnamese press agency announces the release of the biography and a baker's dozen of recordings by Vietnamese favorite-son pianist, (winner of the 1980 Chopin Competition) as he prepares to return to his hometown of Ho Chi Minh City...

Victor Entertainment permitted Vietnam’s Phuong Nam Film to release this collection. These are high-quality products which bring listeners poetic melodies by Tchaikovsky and romantic rhythms by Mendelssohn, Liszt, the sophistication of Ravel, and especially, immortal melodies by Chopin, whose music works account for around nine of the 13 CDs.

For the first time, the book “A pianist loved by Chopin – the Dang Thai Son story”, published by Yahama Music Media Corporation in Japan in 2003, will be published in Vietnam. The book’s author is Japanese journalist Ikuma Yoshiko, who loves the Vietnamese pianist’s music.

Dang Thai Son is the first Asian artist to win first prize at the Concours Chopin and the pianist holds the highest number of sub-prizes in the history of this music award. American pianist Isaac Stern (1920-2001), who received a Grammy for lifetime achievement in 1987, said Dang Thai Son is a musical genius.

See all stories on this topic

Richard Goode's Gilmore Festival Prelude recital worth the wait ...
Kalamazoo Gazette - MLive.com - Kalamazoo,MI,USA

Goode plays great Chopin (among other things) at the Gilmore....

Nocturne in C Minor, Op. 48, No. 1, was first of several Chopin works. Goode's playing here showed superlative use of dynamics and miraculous control of octave runs. Of four Chopin Mazurkas performed, the E Minor, Op. 41, No. 2, most engaged the large audience by virtue of an ingratiating mellow effect. [...]

Three final Chopin pieces ended the program. Scherzo No. 4 in E Major, Op. 54, was my favorite. Goode invested drama in a work that featured a steady thematic line surrounded by bustling musical ornaments. Goode's quick hands gloriously executed chromatic runs and challenging arpeggios. The other pieces, fine overall, were blemished by Goode's stomping foot. The encore -- what else?: another Chopin "bijou."

Goode's greatest strength was a consummate ability to convey beautiful musical sense, without injecting a performer's egoistic detractions.

See all stories on this topic

Chopin in the Blogosphere:

Cultured Tangos
Blogcritics.org - Aurora,OH,USA

Yesterday it was Enrique Granados being called "The Brazilian Chopin." Today a Blogcritics magazine writer likens Chopin to Argentinian tango-master Astor Piazzolla...

It may be that in musical retrospect, from a luxury of twenty-twenty critical hindsight, that Astor Piazzolla will be seen as having done in the twentieth century for the tango what Frederick Chopin did in the nineteenth for the waltz. It is perhaps already an accepted position. With the waltz, Chopin took an established popular form and stretched its boundaries so that what an audience might have expected to be a little ditty was recast to express heroism, sensuality, pride, or even occasional doubt. The little dance tune then, in Chopin's slender hands, became an elegant art form, highly expressive, utterly Romantic in its ability to convey human emotion....

See all stories on this topic

Fun With Chopin

The planned Chopin marathon on BBC Radio 3 prompts a Brit blogger's musings on Chopiniana...

I ask him if he’s seen the romantic comedy Impromptu, starring a pre-Richard Curtis Hugh Grant as the consumptive composer:

http://uk.imdb.com/title/tt0102103/

It’s one of my favourite movies that people haven’t heard of. The director is James Lapine, better known for the original stagings of Sondheim musicals like Sunday In The Park With George and Into The Woods, and it has the same sense of anachronistic wit in a period setting, not least Judy Davis’s constant exclamation of ‘Balls!’

In fact, it ties in with my theme of the other day - a romance between a butch woman (Ms Davis as the cross-dressing novelist George Sand) and a fragile, stuttering man with floppy hair (guess who). Add Emma Thompson as a dim aristocrat, and Mandy Patinkin in funny, swaggering Princess Bride mode, and it’s something of a gem. How much of the Chopin history is correct I have no idea, but I’d say the film could be compared with Moulin Rouge and the BBC version of Casanova (the one with David Tennant), in eschewing period accuracy in favour of unabashed fun.

Diary at the Centre of the Earth - http://dickonedwards.co.uk/diary

The Chopin Currency - April 16, 2008

Chopin News, Reviews, Previews, and Broadcasts:

BBC dedicates weekend to Chopin
BBC News - UK

BBC Radio 3 announces a blockbuster weekend dedicated to Chopin (May 17-18, 2008, including the launch of "a dedicated website, launched as part of the Chopin weekend, will feature video piano lessons by pianist David Owen Norris, for those who want to try their hand at some of Chopin's more approachable pieces."

BBC Radio 3 is to broadcast every note written by Frederic Chopin during a weekend dedicated to the Polish composer, who died in 1849 aged 39.

The Chopin Experience, which runs on 17-18 May, follows similiar tributes by the station to Beethoven, Bach, Mozart and Tchaikovsky.

The weekend will explore how Chopin revolutionised piano music, as well as his troubled personal life.

The weekend will also include the most famous recordings of Chopin's work.

His set of 24 Etudes will be aired in unbroken sequence featuring 24 different pianists.

Piano lessons

Dedicated programmes will look at the influence of Polish folk music on the composer - and how the composer continues to influence the Polish music scene....

See all stories on this topic

Radio 3 announces weekend of Chopin

The Press Association -
Every note written by Polish composer Frederic Chopin is to be broadcast in a single weekend on Radio 3. The Chopin Experience follows a Beethoven week, ...
See all stories on this topic

PERFORMING ARTS: Sergio Tiempo
Washington Post - United States

Review of a DC recital by thirtysomething protege of Martha Argerich....critic finds his passion praiseworthy, the technical slips less so...

Sergio Tiempo, the immensely talented Venezuelan-born pianist, uses his colossal technique to produce a spectrum of colors and dynamic nuance from the piano. His program at the Kennedy Center Terrace Theater on Saturday afternoon included Haydn's delightful Sonata in D, Hob. XVI: 37; Chopin's Sonata No. 3 in B Minor; Ravel's suite "Gaspard de la Nuit"; and the "Consolation" No. 3 and "Mephisto" Waltz No. 1 of Liszt....

Tiempo also possesses a golden singing sound, ravishingly displayed in the Chopin and Liszt pieces.... The same lyrical impulse pervaded the Haydn sonata, in an interpretation perhaps more operatic than symphonic.

Tiempo's great strength is his white-hot intensity. When combined with his cultivated musical intelligence, it achieves strikingly original results. Yet his passionate exuberance occasionally overflows into impetuousness. Hyperkinetic momentum resulted in memory slips in movements of the Haydn and Chopin sonatas. And structural integrity in the Chopin finale and the "Mephisto" Waltz was undermined by unchecked fortissimo power surges. But these missteps could not diminish the visceral excitement of the program.

See all stories on this topic

Alexander Kobrin, Skillful Pianist
Baltimore Sun - United States

Kobrin, The reigning Van Cliburn champ, comes to Bahlmore and gets a mixed review....

Alexander Kobrin, the Russian pianist who took the gold at the 2005 Van Cliburn Competition, breezed through Baltimore - and a Beethoven-Chopin program - Sunday at a packed Har Sinai Congregation in Owings Mills. The free recital, another generous gift to the music community from the Peggy and Yale Gordon Trust, reaffirmed the great technical fluency I observed from Kobrin during the Cliburn finals, but left me somewhat less impressed when it came to his stylistic and interpretive matters. (I wasn't too keen on the many restless and cell phone-ridden members of the audience, either.)

[...]

Kobrin, who is not yet out of his 20s, maintained a dry-eyed demeanor when he turned to Chopin, avoiding anything strikingly individualistic in the shaping of line or rhythmic pulse, and he continued to push things along when given half a chance. Still, there were elegant touches along the way, especially in a group of Impromptus. It will be interesting to see, and hear, how Kobrin's career unfolds.

See all stories on this topic

Cellist Jan Vogler finds voices
Philadelphia Inquirer - Philadelphia,PA,USA

A Jekyll-and-Hyde performance by the East German-born cellist in Philly, featuring boring Beethoven, but captivating Chopin....

He seemed, at first, like one kind of cellist, and then another. Until the end of his Sunday afternoon recital at Independence Seaport Museum, when you realized that Jan Vogler was intent on crafting stylistic approaches so different to each composer, you might have been left searching for the musician's core personality.

With sturdy and accommodating pianist Louis Lortie as his partner, the cellist with a sweet smile and a straight mop of sandy hair limited his range of colors in Beethoven's Sonata in A major (Op. 69), and even in Schumann's Opus 73 Fantasiestücke.

So much so that a certain monotony set in. Vogler's tone is rather nasal, which to these ears made him a considerably less interesting cellist than one usually hears at these Philadelphia Chamber Music Society concerts.

It made him less interesting, too, than the cellist he became after intermission, in Takemitsu's Orion (from 1984), Chopin's Sonata in G minor (Op. 65), and an encore of the Falla Ritual Fire Dance.

Who was that playing those beefy pizzicato notes in the Falla? In the Takemitsu, where Debussy was never too far harmonically, microtones and slides granted Vogler permission to become almost vocally expressive. And where had that cellist been who was now intensely searching each phrase for emotional meaning in the Chopin?

Beethoven can withstand that kind of treatment, too - happily so, though not on this day.

See all stories on this topic

Award gave Argentine's career a lift
Fort Worth Star Telegram - Fort Worth,TX,USA

Texas-sized profile and Q & A with Gilmore Award winner Ingrid Fliter, who reveals that literally owes her life to Chopin...

Why did you choose to feature pieces by Chopin on your new CD?

My father used to play the piano. That's the way my parents met at a party -- my mother noticed my father while he was playing on the piano some Chopin waltzes. So I have to say that I exist thanks to Chopin.

What do you love about Chopin's Sonata No. 3, which you'll play Tuesday at the Kimbell?

I think it is one of the most important and one of the most beautiful pieces Chopin wrote. That sonata gives you a very huge spectrum of Chopin's sound world. I have the feeling that all the human experiences are put in that sonata. It is very touching to me

See all stories on this topic