....a roundup of Chopiniana: current news, views, reviews, recordings and performances in the runup to the 200th birthday of the matchless Polish keyboard composer.

Showing posts with label Chopin Academy Warsaw. Show all posts
Showing posts with label Chopin Academy Warsaw. Show all posts

Monday, June 23, 2008

The Chopin Currency - June 23, 2008


Chopin News, Reviews, and Previews:


In Poland, Chopin's heart may hold secret of his death AFP -

"Leading Polish medical experts are betting that DNA tests on his heart -- perfectly preserved in what appears to be cognac -- could prove he suffered from cystic fibrosis." But will they be successful in opening up to prove it?

Their request to Poland's culture ministry for tissue samples to check for the CFTR gene marking cystic fibrosis sufferers has, however, sparked mixed feelings over the prospect of picking over a national icon.

There, inside a crystal urn filled with alcohol lies Chopin's heart, brought home in 1849 -- as he had wished -- by his elder sister Ludwika from Paris, where the rest of his remains lie in the Pere Lachaise cemetery.

Leading Polish cystic fibrosis specialist Wojciech Cichy said the symptoms Chopin suffered throughout his life were typical of cystic fibrosis, a genetic illness which clogs the lungs with excess thick and sticky mucus.

"From early childhood he was weak, prone to chest infections, wheezing, coughing," Cichy said.

Records show that as an adult weighing 40 kilograms (about 88 pounds) at a height of 1.70 metres (five foot seven inches), Chopin was chronically underweight -- another telltale symptom of cystic fibrosis.

Cichy also pointed out that despite a passionate romance with flamboyant French writer George Sand, Chopin had no known children, suggesting infertility -- another telling clue. And few cystic fibrosis sufferers live past 40.

"If we can prove Chopin suffered from cystic fibrosis, it would be a huge inspiration for our patients, especially children, to know they can accomplish a great deal like he did," Cichy told AFP.

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Promising pianists
The Union of Grass Valley - Grass Valley,CA,USA

Panning for the next generation of gold-medal pianists in an old mining town. Is there any connection between Chopin's death and the California Gold Rush happening the same year (1849?)

Komendera is a Polish student attending the annual piano workshop offered by the Gold Country Piano Institute, a Nevada City non-profit.

"It's great," Komendera said about the workshop. "It's another culture, another climate, beautiful instruments and great teachers."

She also likes the charm of historic Nevada City.

For the past nine years, the Piano Institute's workshop at the Miners Foundry has attracted piano students and instructors from across the globe.

This is Komendera's second visit to Nevada City. She's a third-year student at The Fryderyk Chopin Academy of Music in Warsaw.

A $1,600 full-scholarship from Susan Costello, a patron of the Piano Institute, helped Komendera attend the workshop this year. A music group from Warsaw paid her airplane fare.

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Gwilym Simcock: The prodigious pianist reveals the music that gets ...
Independent - London,England,UK

27-year-old genre-busting pianist Simcock submits to a free-association session with UK paper: "The New Review has decided to challenge him to take us to the heart of That Simcock Thing: to name, and discuss while listening, six favourite pieces of piano music that have served to shape the multi-talented renaissance musician that he is today." In the Pick Six Mix: Grieg, John Taylor, (English jazz pianist, not the former Duran Duran bassist) Keith Jarrett, Herbie Hancock, Take 6, and our man Chopin....

Chopin: "Fantasie Impromptu"

"A few months ago I got asked to do a concert entirely based on the music of Chopin, and for once I said no, because I didn't know what to do with the music. It is so complete in itself as piano music. There's nowhere you can take it. In the past, I've worked on Shostakovich and Ravel projects because the elements of the music can be separated – you can remove the harmony or the melody or the ostinato [repeated musical motif] from a piece and do something else with it.

Chopin and Rachmaninov are the guys who wrote completely idiomatically for the instrument. All of Chopin is fantastic. I listened to it in the car when I was little, on a cassette, and before I knew anything about music I loved it. A year or so ago I went somewhere with my parents and I found all these old cassettes of music I used to listen to when I was nine or 10, and we listened to them again. I hear them in a completely different way now... There is beauty in Chopin, but there is also something else. It is profoundly impressive."


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Monday, May 19, 2008

The Chopin Currency - The Accordion Edition: May 19th, 2008

Virtuoso introducing America toclassical music on the accordion
Las Vegas Sun - Las Vegas,NV,USA


No, I don’t play polkas,” says Lidia Kaminska, "the first and still the only accordionist in the United States who has a doctorate in accordion (received from the University of Missouri, Kansas City). The Polish native is a proud graduate of the Chopin Academy of Music in Warsaw....

“I can play a four-voice fugue, no problem,” Kaminska says playfully with a thick accent, speaking from her home in Philadelphia. “But nobody asked me to play polka music in Poland.”

That’s probably because in Poland the accordion is accepted as a serious medium for classical music, particularly Baroque. And if you haven’t heard someone knock out a Bach chaconne on accordion, now is your chance...

As it turns out, there is a slew of original literature for accordion, composed mostly by Europeans. What isn’t written for the accordion can usually be transcribed. Same sonatas and concertos, vastly different instrument.

Breaking Boundaries,” Kaminska’s debut CD, released in 2005, includes selections from Bach’s “The Well-Tempered Clavier,” two pieces by Argentine tango composer Piazzolla and a sonata by Italian Baroque composer Scarlatti. Its mission was educational: Convince listeners, particularly those in America, that the accordion is a serious classical music instrument. It’s been an ongoing effort since she first stepped off the plane.

“We were not sure what was going on in America about accordion because I had not seen students from America in competitions,” Kaminska says. “So there were a lot of questions and I had a one-way ticket.”

She’s since performed with chamber orchestras, contemporary ensembles, dance groups and orchestras, and is a virtuoso unlike any other....


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Wednesday, April 9, 2008

The Chopin Currency - April 9, 2008


Chopin News, Reviews, and Previews:

Dave Brubeck wins medal for spreading jazz abroad
Reuters - USA

The legendary jazzman comes to Washington DC to be honored by the State Department - and to explain his connection to Chopin (including a visit to Poland a half-century ago. He says: "Now, I'm about to play a cold piano with cold hands. I would like to say about the piece that my mother was part Polish, and loved Chopin. When I went to visit the Chopin Museum I took that thought with me to the next concert. I tried to say to the Polish audience dziekuje, (thank you)...It's a hard thing."

"As a little girl I grew up on the sounds of Dave Brubeck because my dad was your biggest fan," U.S. Secretary of State Condoleezza Rice said at ceremony where Brubeck received the department's Ben Franklin Award for public diplomacy.

"Thank you for your patriotism and your leadership in representing America by introducing the language, the sounds and the spirit of jazz to new generations around the world," she added.

Best known for his quartet's 1959 hit "Take Five," Brubeck, 87, then sat down at a piano to play his improvisational piece "dziekuje," which means "thank you" in Polish, composed partly in memory of his mother's love for Polish composer Frederic Chopin.

Watch the video of Brubeck here - he appears about 24:00 in:



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Ohlsson's firm, eclectic recital
Washington Times - Washington,DC,USA

Kudos for an accomplished "industrial-strength" recital by 1970 Chopin Competition winner Garrick Ohlsson....

Mr. Ohlsson followed the Prokofiev with Frederic Chopin's Piano Sonata No. 3 in B minor, Op. 58. Composed in 1844, it is distinctive for its expansive structure which, like the Prokofiev, adds a fourth movement to the sonata form's conventional three.

The artist launched the Chopin with a stirring allegro maestoso, though we wish he hadn't skipped the repeat of the opening motif. The brief, rapid scherzo, which follows, oddly (or intentionally) foreshadowed the Scriabin sonata scheduled later on the program.

After a thoughtful "Largo" movement, Mr. Ohlsson's sweeping, majestic take on the finale was notable for its impeccably clean passagework.
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Kudos to music critic
MiamiHerald.com - Miami,FL,USA

How often do you see THIS headline? (The review in question is summarized in the April 3 Chopin Currency)

Re Lawrence A. Johnson's April 2 review, Yundi Li shows more fire than poetry: Hats off to your classical music critic for a well-balanced review.

As a long-standing member of the Chopin Council of Miami, it was very pleasing to read this well-written review, which gave an accurate description of this young pianist's performance. Congrats to Johnson, who has found favor with our classical enthusiasts in South Florida.

ROY S. TENN, Palmetto Bay



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Piano instructor to play in Poland
Henderson State University Oracle - Arkadelphia,AR,USA

Arkansas piano prof to head to Chopin's old Academy for the summer...

John Lee Roberts, instructor of piano and adjunct professor in the keyboard division at Henderson, will attend and perform at an intensive summer program in Warsaw, Poland this summer.

Roberts was invited by Dr. Andzej Dutkiewicz, professor of piano and head of Contemporary Music Studies at the Frederic Chopin Academy of Music as part of the academy's 10th Anniversary of "From Chopin to Gorecki -- Sources and Inspirations."

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About Chopin2010

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....is a roundup of all things Chopin leading up to the 200th anniversary of the matchless Polish composer for the piano in March 2010.