....a roundup of Chopiniana: current news, views, reviews, recordings and performances in the runup to the 200th birthday of the matchless Polish keyboard composer.
Showing posts with label Forever (movie). Show all posts
Showing posts with label Forever (movie). Show all posts
"To be honest, a 90-minute documentary about a cemetery sounds — at least on paper — about as exciting as spending 90 minutes in a cemetery. But surprisingly, Forever turns out to be a much-better film than that would suggest....."
Director Heddy Honigmann and cinematographer Robert Alazraki spend much of the 90 minutes capturing the architecture and "personality" of said cemetery, which turns out to be Pere-Lachaise in France.
For those who don't know, the cemetery is the final resting place of such luminaries as Doors frontman Jim Morrison, composer Frederic Chopin, cinematic trickster Georges Melies, actress Simone Signoret, author and critic Marcel Proust, and many, many others. See all stories on this topic
Another improvised opening (by me) in the style of Chopin or Liszt. Very florid and purposely fiery. Recorded some years back---has some tinniness and distortions. Slightly processed to overcome them...
Fascinating story of the "self-taught classical pianist" Kristopher Hull, who's now taking his Chopin-heavy act to the streets of Miami as a "Pianist Errant"
This past February 27 would come to be known as Kristopher Hull's Worst Day Ever. Armed with a full-size upright piano, a repertoire of Chopin's etudes and nocturnes, and his nerves, the 33-year-old pianist planned to storm Lincoln Road, guerrilla-style. He was going to bring classical music out of the concert hall and into the streets.
Inspired by his fictional role model, Don Quixote, Hull was in the early days of his quest, which he called "pianist errantry." He was accompanied by a pal, Swedish-born photographer Victor Staaffe, who was documenting the whole thing. Together that sunny afternoon, they unloaded Hull's piano from the back of his aquamarine pickup truck....
Jazz guitarist Gene Bertoncini is poised to showcase his classical chops with the Rochestra Symphony Orchestra...
He'll play three arrangements with the orchestra, two of them melding classical pieces with jazz tunes. The first combines Chopin's Prelude in E flat with Antonio Carlos Jobim's "How Insensitive." The second starts with Joaquin Rodrigo's Concierto de Aranjuez and becomes Chick Corea's "Spain."
The works fit the Latin theme of the concert. "You can't get more Latin than the title of 'Spain,'" Bertoncini said.
Jobim borrowed from Chopin's Prelude and added a bossanova beat for "How Insensitive."
"I heard a pianist do it the same way when I was on the 'Tonight Show,'" Bertoncini said. "I always remembered that." He simply transferred it to guitar.
More about the Chopin-heavy CD-and-book releases in Vietnam by native son (and 1980 Chopin Competition winner) Dang Thai Son...
A CD compilation of Vietnamese high profile pianist Dang Thai Son’s favourite classical pieces hits the streets next Friday.
Distributed by the Phuong Nam Film Company, the collection includes 13 CDs, previously released by Japan’s Victor Entertainment Inc. (JVC). The CDs include Tchaikovsky, Men-delssohn, Liszt, Ravel and Debussy scores, and nine devoted entirely to Chopin.
According to director of Phuong Nam Film Phan Mong Thuy, the company has spent four months securing distribution rights from JVC.
"In presenting the CDs of famous pianist Dang Thai Son, our company is doing its utmost to bring Vietnamese audiences valued musical products," Thuy said.
Another mention of the acclaimed indie documentary film Forever:
SFIFF One of the greatest pleasures of the 50th SF International Film Festival was Forever, Heddy Honigmann's 2006 study of the living among the dead at Paris' Père-Lachese cemetery. Between footage of the sun-dappled necropolis in all its hushed, springtime glory, Honigmann (who received last year's Persistence of Vision award) profiles several regular visitors, who in the course of discussing an attachment to a particular resident — whether that dweller be Frédéric Chopin or a deceased husband — reveal a great deal about how we commune with memory in our daily lives.
A "distinterested plug" by a Down Under blogger for a quadruple-bill Jerome Robbins Celebration, by the Australian Ballet...
1. The Concert This is one of the sweetest, funniest, most entertaining ballets I’ve ever seen. The pianist on stage performs a recital of Chopin. The dancers are the audience – behaving in all the ways that audiences do, including sitting in the wrong seats – and they dance out their fantasies in the most delightful ways. Did I mention I adore this ballet?
With the ISO, she will perform Frederic Chopin’s Piano Concerto No. 2 in F minor. Chen sees what’s often called a light orchestral accompaniment as a dialogue between soloist and ensemble.
“It’s sentimental, dramatic and operatic, and it’s, in many ways, like a conversation with a lot of musically folksy elements,” Chen says of the Polish composer’s work. See all stories on this topic
The PR department at Warsaw city council is thinking of throwing pianos out of windows as a public relations exercise to publicise the capital.
During the anti-Tsarist Uprising of 1863, Chopin’s piano was thrown out of the window of his sister’s apartment by the soldiers of the Tsar and smashed on the street below.
The PR Department in the Warsaw City council has come up with an idea of drawing on that historical episode in the promotion of Warsaw to tourists.
Vienna has its Mozart, London has its Sherlock Holmes, why not throw replicas of grand pianos out of the window as a promotion gimmick, Warsaw PR people say....
Preview and profile of pianist Konstantin Lifshitz, as a prelude to his April 10 performances and masterclasses in San Jose...
He's including the 12 Études of Chopin's Opus 25 in preparation for a week of master classes at Aix-en-Provence, and concludes the recital with Brahms' Variations and Fugue on a Theme by Handel. In between he's slipping in Schoenberg's Three Piano Pieces, Op. 11, the composer's early, bracing venture into atonality. While he commits most of the music he performs to memory, he'll have the Schoenberg sheet music on hand. Lifschitz may be a genius, but he's not foolhardy.
Emanuel Ax comes to Steel City to play and share some thoughts about his "musical first love:"
Ax recalls that he began playing Chopin when he was 7 or 8. "I'm Polish by birth. All Polish pianists play Chopin, quite apart from him being a large part of every pianist's life, really.
"I certainly love Chopin as much as any composer. He was probably my first love in the sense that I also grew up with (Arthur) Rubinstein, who was known to me as 'the Chopin pianist.' He played a lot else marvelously, too."
Ax's family moved to Canada in 1959 and settled in New York City in 1961. After studying at the Juilliard School of Music and Columbia University, he began winning piano competitions. But his career really took off after winning first prize in the first Arthur Rubinstein International Piano Competition in 1974.
"After I won, he was very kindly. When he came to New York several times a year, he always found a little time for me. We had a few lessons, among them the Chopin F minor Concerto. He had a lot of stuff to say, unbelievably exact and instructive. I got to have dinner with him a few times, too. I was moving in high circles," says the modest pianist.
Chopin and Debussy "are the most astonishingly original composers I know, Ax says. "With Beethoven, you see it's incredible music, but you can trace connections to Mozart and Haydn writing at the time. Chopin comes from Warsaw and explodes on the scene. It's a pretty revolutionary way of hearing music." See all stories on this topic
Shot at the world famous Pere-Lachaise cemetery, the largest in Paris, the film explores the thoughts and feelings of those who have come to the gravesites to pay tribute to famous people such as Chopin, Modigliani, Apollonaire, Balzac, Proust and Oscar Wilde as well as ordinary folk who lived and loved and have been remembered. It is a moving experience that engages both the mind and the heart.
The film opens with the story of pianist Yoshino Kimura, a young Asian woman who performs the work of Frederic Chopin as a means of connecting with her deceased father who loved his music. Scenes of Kimura playing the pensive melodies of Chopin's Nocturnes in concert are shown as the camera offers loving close ups of the pianist, the emotion revealed in her eyes.
Although she's only 20 years old, the Asian-American Kudo is a veteran of numerous international competitions. During the past three years alone, Kudo is the 2007 winner of the Gina Bachauer International Piano Competition, too second prize at the 2005 U.S. National Chopin and was the only American finalist at the 2005 Chopin Piano Competition in Poland. She has performed with the Chicago Symphony Orchestra, the Warsaw Philharmonic, the Fukui Symphony Orchestra and numerous other U.S. ensembles.
From the "Fly Funky Diva" blog, memories of a Miss America with some major Chopin mojo....
Marjorie's piano rendition of this Chopin masterpiece went down as one of the most brilliant talent performances in Miss America history. She also looked incredible! Marjorie Vincent was crowned Miss America this year making her the fourth african-american woman to hold the title.
Chopin Music of the Day: The "Autoharp" Etude: (Op. 10 No. 11 in E-flat)
Chopin Project concert series, Artistic Director Arthur Greene plays gives a performance of the tricky Etude in E-flat Major, Op. 10, No. 11, a piece that might have been inspired by the zithers (early autoharps) that Chopin heard in his Polish homeland...
