The Chopin Currency - May 10, 2008

Chopin News, Reviews, and Previews:

Felder completes composer trilogy with 'Beethoven' premiere
North County Times - Escondido,CA,USA

Really having more to do with Ludwig than Fryderyk, a preview of Hershey Felder's new one-man show in San Diego...

Like the other two plays, "Beethoven, As I Knew Him" is a roughly 100-minute, intermissionless play with music written by and starring Felder (a piano prodigy who grew in Canada's Yiddish theater circuit) telling the composer's story in words and music from the piano bench.

"Gershwin Alone" features the brash, Brooklyn-born Jazz Age composer recounting his life up until his tragic 1937 death from a brain aneurysm at age 38. "Monsieur Chopin" finds the Polish composer Frederic Chopin in his Parisian salon a few years before his 1849 tuberculosis death at age 39, explaining his struggle with "melancholy" (bipolar disorder), his love affair with George Sand and his life and music.

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From disparate halves, a thrilling whole
Buffalo News - NY, United States

Gabriela Montero's first half gets the better grade in Buffalo, though Chopin still suffers...

The two halves to Montero’s concert were vastly different. The first half was all classical — the Bach/Busoni, then Chopin’s Ballade No. 3, then the Sonata No. 1, by Alberto Ginastera.

You would have to have been dead not to have been thrilled and excited by that Bach. Busoni knew how to work a piece for showmanship, how to bring out its contrasts and climaxes, and Montero played right along. Besides drama, the piece had depth and emotion.[...]

The Chopin sounded a bit frantic, not as romantic as it could have been. Poor thing. It was sandwiched between that Bach and the stormy Ginastera, and Montero might have worked herself into a bit of a lather...

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Montreal pianist Marc-Andre Hamelin wows crowd at the Gilmore Festival
Kalamazoo Gazette - MLive.com - Kalamazoo,MI,USA

Meanwhile, in Kalamazoo, the parade of A-list pianists continues, with generous amounts of Chopin on their programs:

The Chopin Sonata No. 3 in B Minor, Op. 58 presented a different set of challenges in its stark contrasts between virtuosic outbursts and tender, thinly scored romantic tunes. Hamelin displayed remarkable control at the lowest dynamic levels, caressing every note of Chopin's beautiful melodies.

The second movement Scherzo had incredible drive as a result of his very ambitious tempo and meticulous articulation. The precious nature of the scant two- and three-part writing of the third movement Largo was nurtured along with the utmost care. Then, Hamelin unleashed a hitherto unheard power in the "Finale: Presto" non tanto that proved a perfect foil to the delicate third movement.

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Chopin Downloads, Legal and otherwise...

Chopin - 24 Preludes op 28, Grigory Sokolov

By admin
Composed by Fryderyk Chopin Grigory Sokolov, piano Live Paris 17th June 1990. Grigory Sokolov (born April 18, 1950 in Leningrad) is a Russian pianist. Sokolov began studying the piano at the age of five, entering the Leningrad ...
Music-Download.cc - http://www.music-download.cc

Jorgeous : Tributo a Chopin
By Jorgeous

Starts off sounding more like Satie than Chopin...

Jorgeous - Tributo a Chopin. Jorgeous - Tributo a Chopin.
Jamendo - http://www.jamendo.com/

Chopin Photos:

Chopin.
By nobody@flickr.com (ianharrywebb)

Click on the link to see the row house in the Scottish capital...

ianharrywebb posted a photo:. Chopin. Chopin's home while in Edinburgh.
Uploads from ianharrywebb - http://www.flickr.com/photos/iansdigitalphotos/

The Chopin Currency - April 18th, 2008

Chopin News, Reviews, and Previews:

When Fame Can’t Cross the Atlantic
New York Times - United States

Fascinating story (and review) of Russian pianist Grigory Sokolov, lionized in Europe; barely known in America....

Classical music is supposedly universal. Language may still be a cultural barrier for writers and actors. Even visual artists, depending on the subjects they choose, won’t necessarily translate abroad.

That Mr. Sokolov, whose talent is beyond dispute, disproves this notion should remind us not only of our persistent parochialism but also of our delusions about technology. The Web, on which he can be found on YouTube, giving astonishing performances, clearly doesn’t substitute for hearing him live. Neither do discs, which, as a perfectionist, he stopped issuing in 1995 (this partly explains his American situation), although years ago Mr. Sokolov’s recordings sent me hunting for a chance to hear him in person. On one of those discs he played Chopin’s 24 Preludes with great sensitivity. He played them again the other night. It was, like all concerts likely to stay in the mind forever, nothing that could ever be captured digitally.

He gives about 60 solo recitals a year, so his manager told me; no chamber or orchestral music at the moment. He was born in Leningrad and won the Tchaikovsky Competition in 1966, at 16. Emil Gilels headed the jury. For a while Sol Hurok promoted him.

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Zimerman’s ovation in Rome
Thenews.pl - Warsaw,Poland

Returning to Rome, Krystian Zimerman surprises with a switch to Chopin...

The second part was taken up by an all-Chopin programme, instead of earlier-announced Brahms and Szymanowski.

The recital was Zimerman’s first appearance in Rome after a lapse of ten years. Some Poles in the audience remembered Zimerman’s concert and meeting with Pope John Paul II in the Vatican on Christmas Eve in 1980.

Fifty two year-old Krystian Zimerman is the winner of the Chopin International Piano Competition in Warsaw in 1975. (mk)

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Yundi Li: Prokofiev/Ravel
Times Online - UK

Review (mostly positive) of Yundi Li's attempt to break out of his Chopin sterotype, along with the inevitable Lang Lang comparisions....

There comes a time in any young piano virtuoso’s life when the need mounts for breaking out of the core 19th-century repertoire into the wide, wild world beyond. You can’t always be wrapped around Chopin and Liszt. Alongside oriental trinkets, that smiling Chinese onslaught Lang Lang has become an improbable concert interpreter of the thickets of notes in Tippett’s Piano Concerto. For his second concerto CD, Yundi Li, Lang Lang’s compatriot (born the same year, too, 1982), has been more cautious. He has chosen Prokofiev No 2, in a Berlin live performance from May. [...]

The more Lang Lang’s performances drift into candelabra rhetoric – the Liberace style of playing – the greater the attraction of Yundi Li’s sobriety. Maybe this Prokofiev could be more tigerish, yet Yundi’s dizz dexterity and ability to shade colours within the composer’s dark and narrow band gave sufficient pleasure to me. To the Berlin audience also: the performance concludes with their roars of applause.

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